In Julius Avery’s Overlord (2018), the Nazis in occupied France have discovered something or other in a church that, once refined by their super-science, turns corpses (and pieces of corpses) into Übermenschen. If the movie spells it out, I missed it, but I can take a stab at what they’re shooting up with.
Welcome to Mercy (2018) does its The Exorcist (1973) thing by way of The Last Temptation of Christ (1988). These are two great tastes that taste sort of great together, but not as great as they probably should.
Daughters of Darkness (1971) is a lesbian vampire movie, one of several that were kicking around the international market in the early 1970s.
Clear your schedule and go see Luca Guadagnino’s Suspiria (2018). Get plenty of sleep the night before. It’s not the phone-it-in sort of movie.
The lights are changing color, the Goblin soundtrack is throbbing, and Sara (Stefania Casini) is trying to escape the dance academy. What more could you want? Directed by Dario Argento.
David Gordon Green’s Halloween (2018) may be a soft reboot/sequel of the sort that seems to be our punishment in whatever circle of hell this is, but it’s a far better movie than it ought to be for something that was made to revitalize a brand.